Yesterday, today

Theo Croker at the Bogui Jazz Club in Madrid: two nights of straight, but modern jazz – old standards played for an audience of our times, by a group of talented young musicians, who understand that there is no today without yesterday and that you can only move the music we call Jazz forward, if you know what happened before you. Young rising trumpet star Theo Croker made his name touring for over a year with Dee Dee Bridgewater as her musical director and arranger and then took his own group out to tour his two OKeh albums in the last years. On a break between gigs with his own band, he took the opportunity to perform a few dates in Spain with his friend and pianist Juan Sebastian Vazquez and his trio, featuring bassist Francisco Manuel Lopez and drummer Daniel Garcia Bruno.

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The Trio started of each of the two sets we saw on July 8th with music from its latest release ‘tribute’, a session worth checking out for composition and performance. After these strong introductions into each set, Theo came on and they played some Miles, Gershwin, Shorter and the title track of the Juan Sebastian Trio album, as well as the Croker composition Meditations, from his Escape Velocity album – all performed to the highest standards, especially from Croker and Vazquez, who showed inspired and melodic improvisation skills. Played acoustic, the Croker tune, on the album in a more modern sound bed, showed what a great composition it is and held its place beside the other great standards the group performed. Celia Krill, a local jazz singer, joined the band for two beautiful songs, one of them you can hear as well on the Trio album by Juan Sebastian.

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The musicians had a lot of fun and Theo obviously enjoyed playing the standards, something he isn’t doing very often, as he usually tours with his own band and their brew of modern and hip jazz, which I can only recommend if anyone get the chance to hear them. Theo Croker is surely an artist for today, having his roots in the music’s past and leading jazz into the future.

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