Jazz at Bran Castle

What better way to end the summer jazz festival season by going to a new and exciting place and hear good music? Our trip to Bran in Romania basically started in January this year with a visit to Madrid by drummer Paolo Vinaccia and his wife, painter Trude Semb, and as Paolo is on the programming board for Jazz at Bran Castle, he mentioned that we should come and have a few relaxed days with them there and hear some great music. As to listen to jazz played in the original Dracula castle seemed something exciting and cool, we decided to go … and did last weekend. The trip from Bucharest to the castle is long, as traffic is incredible, but once there we saw a beautiful small town and an inviting mountainous landscape and of course the legendary castle, see photo below.

On the Friday evening the festival was opened by the Omar Sosa Trio, featuring beside Sosa on piano and keyboards, Seckou Keita on kora and Gustavo Ovalles on drums. The trio’s mixture of Latin and African rhythms was captivating and the flow of the group improvisations changed the music constantly. The sound created by the piano and kora is extremely beautiful and fits the flowing compositions perfectly. The 200 strong audience (the court of the castle doesn’t hold more) enjoyed the music immensely and honoured the trio with a standing ovation. I hadn’t listened to much of Omar’s music before this show, but will definitely catch up on that in the coming weeks.

Paolo had us invited to the artist lounge, which served wonderful wines from around the world and some incredible and tasty food, so waiting for Lars Danielsson to set up for his show was very enjoyable and time flew very fast … ‘Liberetto III’ was the program Danielsson brought to the castle and this band includes beside him on bass, John Parricelli on guitar, Gregory Privat on piano and Magnus Ostrom on drums. Beautiful melodies brought to life by an excellent band. Had on the first two albums the piano seat be occupied by Tigran Hamasyan, Privat stepped in for number 3 and what a good choice he is: inspired improvisations based on Danielson’s compositions gave the rest of the band something to smile upon and a direction for their own melodic explorations for the music they created together. Recommend listening.

Saturday started at lunch time with a concert in a nearby church by the Duo Medieval and Arve Henriksen. This was scheduled as a Trio Medieval concert with trumpeter Henriksen, but unfortunately one of the singers of the trio, Jorun Lovise Husan, fell ill and couldn’t make the trip. So it was up to Anna Maria Friman and Linn Andrea Fuglseth to perform with trumpeter and singer Henriksen in an acoustic concert in the church and if one wouldn’t have known, it didn’t seem to make a difference: their voices floated around the space and Henriksen added various trumpets and flutes to them, creating hauntingly beautiful music between medieval religious music and folk songs from mostly Scandinavia. They then as well opened the evening in the castle court yard and the music, this time with the addition of Paolo Vinaccia on percussion and drums, was simply perfect for the environment and left the audience asking for more. The soaring voices filling the castle, supported by simple but effective percussion to enhance the rhythm and Henriksen’s sounds and immaculate trumpet playing, left no-one untouched. Great music!!

Next up on Saturday night was supposed to be a duo of Enrico Rava and Stefano Bollani, but unfortunately Rava had a fall at home and couldn’t make it, so Bollani decided to play a piano solo show instead. He is an artist who doesn’t know borders or genres .. it is all music to him and his solo show had therefore moments of classical music, known themes and standards, free improvisations and as always, a good sense of humour. All on a very high musical level and built up nicely, so the audience kept following him throughout.

The Saturday finished with a concert by Norwegian trumpet player Nils Petter Molvaer, with Jo Berger Myhre on bass and Erland Dahlen on drums. They played the music from Molvaer’s latest album ‘Buoyancy’, a mix of ambient sounds, jazz improvisations and rock elements that was perfect to close the night with its moving sound patterns and sometimes heavy grooves over which Molvaer laid his trumpet improvisations. One of the stars of European jazz at his best.

 

That was for us the end of the festival, as we had to go back on Sunday, when our wonderful host Paolo made a guest appearance in the show of Daniele Di Bonnaventura, before Rabih Abou-Khalil closed the 6th edition of Jazz at Bran Castle. For us truly a weekend to remember –  for the beautiful time we spend with Paolo and Trude,  for the great music we heard and the wonderful hospitality we were shown by the team of the festival.

In the next blog I will review a few new records from around the world, including the 6 CD box set ‘Mystery Man’, showcasing the recorded music career of Paolo Vinaccia. Stay tuned.

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new music live and on discs

After the great music at North Sea Jazz I had the chance to see and hear a few more concerts in Madrid and Alicante, mostly of acts that I have written about a few times already and which I truly like, therefore I’ll make it short this time. Julian Lage, in a trio with Jorge Roeder on bass and Eric Doob on drums, played as usual on the highest level of musicianship on his instrument and both Roeder and Doob are perfect sidemen for him, working well as a group. Most of the music came from the album ‘Modern Lore’, but from earlier in his career as well – the master of the young guitarists. Dhafer Youssef, singer and oud player extraordinaire performed ‘Diwan of Beauty and Odd’ with Aaron Parks, Matt Brewer on bass and Ferenc Nemeth on drums and it was a powerful and beautiful show full of wonderful singing by the master, whose musical relationship with pianist Parks seems to grow and grow. The new Gregory Porter show, when he performs without an orchestra, is a great mix of songs from all his recordings, including a few from the latest Nat King Cole tribute just as a touching duo with Chip Crawford on piano. Jahmal Nichols (bass), Emanuel Harrold (drums), Tivon Pennicott (tenor sax) and Ondrej Pivec (Hammond organ) completed the solid band behind the great voice.

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The one artist I want to write a bit more about this time is the incredible singer and performer Ute Lemper. I know Ute since her 2000 album Punishing Kiss and have seen and heard her many times over the years. But it has been a few years now since I last saw her perform and I was looking forward to her concert ‘Songs from the broken heart’ in Alicante, as it promised to be a voyage through her career and best songs from her catalogue. Vana Gierig on piano; Victor Hugo Villena on bandoneon and Romain Lecuyer on bass, gave Ute Lemper the support and sound she needed for the variety of songs she performed. From songs connected to Marlene Dietrich (a new and forthcoming project, based on a 3-hour telephone conversation between Dietrich and Lemper) to Leo Ferrer, Brel, Reich, Dylan and of course Brecht/Weill, the trio made it all sound right and Lemper, with her energetic performance and vocal skills, made these songs hers and so kept the overall sound and quality of the show going. Especially Pete Seeger’s ‘Where have all the flowers gone’/’Sag mir wo die Blumen sind’, which in the German version was done by Dietrich and which Lemper did in both languages, was stunning in terms of delivery and emotional content .. and for me a song I hadn’t heard in years, but one I had a connection to in the late 60’s and early 70’s. Ute Lemper is without a doubt one of the great singers and performers of our time – she can’t really be put in any category, she seems to have created her own. Wonderful and highly recommended.

CDs:

It is something special to find an unreleased studio session by one of the most revered jazz artists ever, so the hype around John Coltrane ‘Both Directions At Once / The Lost Album’ was deserved on that simple fact and of course, because the music is amazing! This recording will not open new doors to the understanding of what drove Coltrane etc., but it is a valuable piece of the jigsaw in understanding his development and musical evolution. The title makes sense as he is partly still in the tradition, partly already moving forward, working toward expression of spirituality. His and the bands playing is unmatched and the two originals and Slow Blues alone are worth checking this album out. Recorded with the best Coltrane band featuring McCoy Tyner, Jimmy Garrison and Elvin Jones, this is not only a document of a great group of musicians and its leader, it is a great jazz record. Period!

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‘Flow Vertical’ is the new album by Serbian sax player, composer and singer Jasna Jovicevic and it is a tour de force of composed and improvised music ranging from chamber music influenced pieces (featuring Gabriela Koso on bassoon; Filip Krumes on violin; Rastko Popovic on violin; Dejan Bozic on cello and Uros Secerov on percussion) to a wonderful solo sax performance and everything in between. An unusual album that kept me listening with its twists and subtle little melodies and the power of the compositions and performances. A new voice to listen to!

Already out for a year, I only just now heard the 3 CD set of Gard Nilssen’s Acoustic Unity entitled ‘Live in Europe’. Nilssen, a formidable drummer in various bands, whom I had the pleasure to hear a few times and his partners in Acoustic Unity Petter Eldh on bass and Andre Roligheten on tenor and soprano saxes are known for the adventurous music based on free-flowing improvisations over themes composed by all three players. Powerful and communicative are the words coming to mind. The three discs have been recorded at three different concerts and while disc one shows the trio in incredible form, disc two shows them with guest saxophonist Fredrik Ljungkvist, who as well plays clarinet and disc 3 has them perform with sax players Kristoffer Berre Alberts and Jorgen Mathisen. The guests simply enhance the power of the music the trio makes, as it allows them to shine within the space the trio usually gives each other as well. Extended communication, expression of common ideas and simply the pleasure to play with each other. Adventurous and exciting, fresh and challenging, but rewarding when listening closely.

Aaron Shragge & Ben Monder - This World of Dew - Cover Art

Aaron Shragge, dragon mouth trumpet, flugelhorn, shakuhachi and Ben Monder, guitar just released their third album together, entitled ‘This World Of Dew’ and it is a beautiful duo recording of 14 new Shragge compositions, giving both artists room to display their unique sounds and create a lyrical and heart-warming album. Tracks 2 to 7 are linked as a suite, which is musically enchanting, hauntingly beautiful and meditative. Recommended.

North Sea Jazz 2018

I was really looking forward to this year’s edition of North Sea Jazz, as the program really looked promising in its annual mix of established acts and new ones to discover. Arriving Friday afternoon in Rotterdam to get ready for the first show on my individual program, which was the blind fold test Kurt Elling did for Downbeat before his Quintet show with special guest Marquis Hill. Dan Quellette did play Kurt some cool tracks … but wait and read about this when it is published. Elling’s gig, with John Mclean on guitar, Stuart Mindeman on piano and organ, Clark Summers on bass and Adonis Rose on drums, was simply incredible – the band is now so tight and has the new repertoire mastered fully and gives Elling the security to deliver his vocal artistry, following each turn the masters voice is taking. Hill fits in perfectly in terms of sound and imagination and is a perfect partner for Elling. What a great start to the festival – all you want from a gig: great artists performances, improvisation of the highest level and tons of emotions expressed via music!!!

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After that it was a bit running to a gig that wasn’t actually planned: Carla Bley unfortunately had to cancel her tour for health reasons and the festival decided to put on stage Bill Frisell (who already had played the night with Charles Lloyd) together with John Surman. A duo both artists were talking about doing for a while .. and now it happened – with half an hour to prepare! The result was simply stunning: explorations on themes by Surman or Frisell, improvisations and a music dialogue of rare quality! Surman on either bass clarinet or soprano and Frisell exchanged ideas, showed mutual respect and listened, so they could ‘answer’ each other in the best musical way! This is surely something they should follow up on!!!

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Off then to catch a bit of Roy Hargrove, whose band included Justin Robinson on alto saxophone, Tadataka Unno on piano, Ameen Saleem on bass and Quincy Philips on drums. Roy sounded strong and powerful and all the guys seemed to have a great time playing most songs from Roy’s extensive catalogue. He still got it!

Last on my list for Friday was the great NuSoul band from Norway ROHEY, about which I already have written a bit, especially about their stunning US debut in January during Winter Jazz Fest in New York. Rohey are: Rohey Talaah on vocals, Ivan Blomqvist on keys, Kristian Jacobsen on bass and Henrik Lodoen on drums and as in New York they got their (this time much bigger) audience going after a few bars …. Powerful songs and an incredible voice make this something special! Rohey is a singer of amazing talent and always shows her emotions and puts her soul into each song … a dancing and enthusiastic audience appreciated it!!!!

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Saturday, July 14, 2018: Day 2 I started with the wonderful singer Deva Mahal. Just a few songs were enough to confirm what a great singer she is – the record is good, but live: she nails it!! Quickly running over to see and say Hi to Nubya Garcia and listen a bit to her powerful show. Her improvisational skills and her sense for melody were outstanding and she proved, with her grooving band, why she is one of the most exciting new acts in the current UK scene.

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Next was David Sanborn, who brought his new acoustic band for the first time to North Sea Jazz – performing with him were Michael Dease on trombone, Andy Ezrin on piano, Ben Williams on bass and Billy Kilson on drums and they got the audience going right from the start, which was a powerful reading of Michael Brecker’s Tumbleweed. The rest of the amazing show was a mixed bag of Sanborn originals, standards and covers and the audience loved the way Sanborn and the band treated these compositions and Sanborn’s sound and emotional way of playing. We sat for a while back stage chatting and photographer John Gundlach / De Beeldunie took this great picture of us. Thanks!

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I had missed most of the Pat Metheny concert, but gladly heard a few bits and really enjoyed that new band he got with Gwilym Simcock on piano, Linda Oh on bass and Antonio Sanchez on drums and was lucky enough to have a chat with Pat after his show, refreshing memories of when we worked together with Charlie Haden and Michael Brecker and a bit about some new and exciting acts of today.

I checked about half of the Jazz Loves Disney show, which I truly enjoyed. The four voices used for the concert were really well picked and, in their diversity, made the program work extremely well. Hugh Coltman, Sarah McKenzie, China Moses and Myles Sanko gave the show the emotions and class which it needed to take it beyond a collection of songs.

To finish off the second night at North Sea I went to hear and see the Sons Of Kemet – maybe not the best idea if you want to sleep after that: this was full power music – with Theon Cross on tuba, drummers Eddie Hick and Tom Skinner, as well as sax player Shabaka Hutchings. Improvisations over grooves that push Hutchings forward in his soli and melodic excursions. Fascinating.

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Sunday I started with the Maciej Obara quartet – I wanted to see this group for a while now and I really enjoyed their music. Dominik Wania on piano, Ole Morton Vagan on bass and Gard Nilssen on drums have such a great understanding with alto player Obara, that the music is flowing like a chat between friends … moving to different places quickly and always being responsive while listening what the other musicians had to ‘say’. Profound and challenging.

Just heard a bit of trumpet player Mathias Eick’s concert before getting ready for HUDSON – Jack DeJohnette, John Scofield, John Medeski and Scott Colley performed the music of the first album of this group and took the songs to a different level. Outstanding their version of Hendrix’s Castle Made Of Sand – Scofield playing sensationally and the rest of the gang just kicking in … wow!!! These guys are really something else!! Next was Keyon Harrold, whose album I like and the live show was even more exciting, pushing borders and him and guitarist Nir Felder played some deep and interesting soli. A truly great band, a charismatic leader and some great tunes – can’t ask for much more!!! After that is was Avishai Cohen (the bass player) who presented his latest album 1970 live. Next to Avishai there were Karen Malka on vocals, Marc Kakon on guitar, Shai Bacher on keys and Noam David on drums and together they created Avishai’s signature sound of various influences from around the globe and performed his new, more vocal oriented material, to perfection. An enthusiastic and thankful audience showed their appreciation with load applause.

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I wanted to check out Ramon Valle a bit as well, but there were so many people queuing, that it was unfortunately impossible to get into the venue .. pity, as I like his playing, especially with the trio.

Therefore, I decided to end the Sunday and the festival with another super group in jazz – the Billy Hart quartet featuring special guest Joshua Redman, Ethan Iverson and Ben Street. Drummer Hart has excellent taste in his sidemen and this band in no exception – Iverson and Redman delivered blistering and thoughtful improvisations, based on Street’s and Hart’s rhythms, laid out for them to walk upon. Stunning interplay and communication and 4 musicians who obviously had a lot of fun playing together. The perfect ending for an exhausting, but wonderful festival.

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Jazz: live and recorded

The month of June started great with a wonderful concert by Thomas Quasthoff and his trusted sidemen Frank Chastenier on piano, Dieter Ilg on bass and Wolfgang Haffner on drums – all band leaders in their own right and some of the best jazz musicians in Europe today. Thomas Quasthoff mainly sang the repertoire from his new big band album ‘Nice ‘n’ Easy’, arranged for the trio and as powerful and swinging as the album with the NDR big band is. Incredible vocal skills and great feeling, especially in the ballads, as well as some beautiful soli by the three musicians, made this evening a very enjoyable one, with John Lennon’s ‘Imagine’ one of the highlights of the concert. The mix of jazz standards and pop covers worked extremely well and offered a few surprises, like a funky ‘I can’t stand the rain’. Four musicians at the top of their game.

A few days later pianist Luciano Supervielle performed one of his captivating solo shows in Madrid – piano, keyboards, electronics, loops and samples and some wonderful video projections combined to an audio-visual treat. Supervielle performed music from his own recordings as well as some of his compositions for Bajofondo, the electronic Tango project he is part of. Beautiful little melodies in an ambient sound bed followed by grooving dance beats with a Tango influence and powerful piano chords … an eclectic mix that worked perfectly well with the prepared videos and had the audience captured and enthusiastic. Luciano said he is working on a duo project with famous Brazilian cellist Jacques Morelenbaum … can’t wait to hear this!!

Recommended listening:

Ketil Bjornstad / Anneli Drecker      A Suite of Poems       Lars Saabye Christensen

Norwegian poet and writer Lars Saabye Christensen’s poems from hotel rooms around the globe have been set to music by pianist, composer Ketil Bjornstad and are performed by him and singer Anneli Drecker – the perfect choice to give these words life and emotions. The music is simple and melodic to carry the meaning of the words and Drecker’s vocal delivery is as immaculate as one would expect from her, a long time musical companion of Ketil Bjornstad and a singer who is in high demand. Everyone who is travelling a lot will understand these poems and the included thoughts, fears and dreams. Captivating from beginning to end!

Rolf Kühn         Yellow + Blue

Clarinettist Kühn, a legend in his native Germany and most of Europe, starts his new album with Joni Mitchell’s ‘Both Sides Now’ and immediately draws you into his world … a wonderful intro by pianist Frank Chastenier sets the tone for Kühn’s entry and his clarinet sounds melancholic and touching, telling the story. Beside Chastenier he has Lisa-Rebecca Wulff on bass and Tupac Mantilla on drums and percussion to lay the ground his improvisations can walk on and give him the space to express himself through his instrument. Great music by one of the best clarinet players around.

Kat Edmonson      Old Fashioned Gal

Kat Edmonson is a very fine singer and a wonderful writer of songs and this new album must rank among the best she has done so far…story telling as it should be: little dramas, witty texts and the charming retro feel are all here to make this a special listening experience. The track ‘A Voice’ is just stunning and her singing incredible throughout the record, which has a touching tribute to Bruce Lundvall included … A voice to recognise immediately, a talent to write great songs – despite having a song titled ‘Not My Time’, I am sure this is exactly her time. Wonderful!!!!

Solveig Slettahjell           Live at Victoria

This beautiful and intimate record by one of Norway’s leading singers was recorded live at the Victoria Nasjonale Jazzscene in Oslo, in September 2017 and features Solveig on piano and vocals with the occasional help of Pal Hausken on drums and additional vocals and the Safari choir. The mix in repertoire from originals to standards and covers of songs by Tom Waits and Leonard Cohen works extremely well, as Solveig makes them all her own and gives them something new and individual. Powerful, touching and outstanding by any means!

Coherence Quartet        Sagaye

The Coherence Quartet is featuring Łukasz Kluczniak: alto saxophone, Robert Jarmużek: piano, Marcin Lamch: double bass and Grzegorz Masłowski: drums. The beautifully improvised music is a mix of originals and standards and is performed relaxed and with space for individual expression. This is a great jazz album, nothing less and the band deserves to be heard a lot more outside of their native Poland. Check them out!

Moon      Kiss Me

Haewon Moon was the singer in the Korean band Winterplay, whose recording ‘Songs Of Coloured Love’ I really enjoy. Now Moon has released her first solo album in Asia and it is worth a listen – immaculate singing on all tracks, beautiful arrangements of standards and fitting covers of songs by Sade and Daryll Hall make this a very interesting album. Top quality on every level!

more international jazz

In a way every day is jazz day for me and as I am interested in all aspects of improvised music from all corners of this world, every day is therefore International Jazz Day for me. To prove my point, here are a few recommendations of recordings from around the world I had the pleasure listening to in the past few weeks, especially after jazzahead, where I got some of these albums:

Canada: Andrean Farrugia & Joel Frahm / Blued Dharma

This is musical communication on the highest level – pianist Farrugia and sax player Frahm inspire each other to melodic improvisation of pure beauty. The Farrugia originals are gems and fit perfectly next to the two versions of Cherokee and a gorgeous Nobody Else But Me.

Finland: Timo Lassy / Moves

Lassy is a star in his home country and deservedly so – his sax style traditional, but with an eye on modernity. This is a record based on personal experiences and the wish to express himself beyond his usual group formation – with guests including the Ricky-Tick Big Band Brass and rapper Paleface. The new compositions are powerful and so is the performance – highly recommended.

Poland: Piotr Schmidt & Wojciech Niedziela / dark morning

Another wonderful duo communication, this time by two of Poland’s leading musicians. All 12 tracks are either by pianist Niedziela or trumpet player Schmidt (or by them together) and showcase the deep understanding both players have of each other. Immaculate performances enriched by deep felt emotional content make this album a pure listening pleasure.

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Germany: Erik Leuthäuser / Wünschen

This is a truly special debut – young singer Leuthäuser fulfils his wishes with an all-star band featuring among others Joey Baron, Kurt Rosenwinkel and Greg Cohen. Vocalese in German and so much more … German lyrics to a Gato Barbieri or a Wayne Shorter track … music for a poem by Hermann Hesse … great!!!!

Norway: Arild Anderson+Paolo Vinaccia+Tommy Smith / In-House Science

This live recording of the trio with Anderson, Vinaccia and Smith is simply spectacular – it takes their music to a different level, shows the way they play together and react to each other as only groups can do that are together for a while. Andersons music is the perfect vehicle for all three musicians to improvise and create beauty in the moment. Top!

India: Harpreet Bansal / Samaya

Violinist Harpreet Bansal lives and recorded this album in Norway, but it is based on the traditional ragas her father teached her, taking them into HER time, into NOW. Her playing and sound on the violin is immaculate and transports you into a different world, where time flows slowly. Fascinating!

India: Ganavya / Aikyam: Onnu

Finally, the debut album of singer extraordinaire Ganavya is available … and everyone can listen to what I have been raving about for a while – an incredible new voice and new versions of songs we know but can discover anew in her style … check her out, don’t miss this special album and singer!

Switzerland: Elina Duni / Partir

Albania born singer Duni delivers a hauntingly beautiful solo album on which she plays all instruments and guides us with her vocals through traditional songs from her home as well as from Switzerland, Armenia, Macedonia and others and mingles them with Jacques Brel and her own music. Songs of love, loss and parting have hardly ever sounded that wonderful.

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USA: Monika Herzig / SHEROES

Composer, arranger and pianist Herzig put together a stellar cast for this recording: Ingrid Jensen on trumpet; Jennifer Vincent on bass; Ada Rovatti on tenor sax; Jamie Baum on flute; Reut Regev on trombone; Leni Stern on guitar; Mayra Casales on percussion and Rosa Avila on drums! There is a lot of variety in musical terms on the album, but it all comes together to make sense as a strong record with some incredible playing and great arrangements. Herzig is as well a jazz educator and writer and just released a very captivating and interesting book – EXPERIENCING CHICK COREA, A listener’s companion. Highly recommended!!

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Conciertos Mini is a series of concerts called, presenting old and new in an interesting mix of 30 minutes shows – two per evening. Over two nights and four concerts this May pianist Sebastian Knauer, vibraphonist Pascal Schumacher and the Orquesta Nacional de España were exploring Johann Sebastian Bach and compositions by Arash Safaian, whose works for ÜberBach are based on pieces by Bach as well. The schedule was simple: first a Bach original, then the Safaian composition, which wants us to hear Bach without listening to one of his works. Knauer is a versatile musician and plays his Bach with emotion and understanding and together with Schumacher he played the ÜberBach with verve and power. The combination of the vibraphone with the piano sounded extremely strong and the strings just added to the beauty of this mix. If you don’t get the chance to listen to this in concert, go and get the ÜberBach album – surely worth to explore, discover and first of all to enjoy!!!

3 and 4 and more

Before the International Jazz Day of 2018, there were already concerts and events all over the world leading up to the big show in St. Petersburg, having a week of jazz focused activities with a bit more than the usual mainstream media attention. When celebrating the International Jazz Day we should not forget what we as well celebrate: freedom of expression, global respect and understanding and individual as well as group communication, as all this is an integral part of the music we call Jazz.

I went to see the Pablo Martin Caminero Trio at club Clamores in Madrid, featuring the wonderful pianist Moises P. Sanchez and Michael Olivera on drums. The Trio did perform music from Pablo’s recent albums ‘Salto al Vacio’ and ‘OFNI’ and was a slightly jazzier affair than his bigger ensemble is, but without neglecting the flamenco touches which are part of his compositions and musical heritage. Sanchez is one of the leading Spanish pianists of the younger generation and performed some captivating and excellent soli, with Olivera keeping time immaculately. Pablo is one artist I love to hear, with his full sound and amazing improvisations – one that never disappoints! I hope he will record this trio at one point, as it is worth it and should be heard by more people than the approx. 120 in the club.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Nels Cline 4 just released an album on Blue Note entitled ‘currents, constellations’ which features beside Cline the incredible guitar player Julian Lage and Scott Colley on bass and Tom Rainey on drums – the quartet, with Jorge Roeder on bass instead of Colley, came to Madrid’s Clamores for two shows, in support of the album release. I was lucky enough a few years back to see Nels and Julian as a duo at Winter Jazz in New York and therefore did look forward to the quartet show and wasn’t disappointed at all – the interplay and communication between the two guitar players is second to none, ideas flowing freely to be picked up and transformed, answers given to questions that hadn’t been asked, smiles all around and a stunned and excited audience. The music ranges from Robert Johnson to Metallica if I may mention two extremes of influences … blues informed jazz segments are followed by rock riffs any heavy band would be proud of, then moving on to a free sequence just to break into a swing phrase right after … and Rainey and Roeder at the heart of things, making these musical excursions of Cline and Lage safe. Extraordinary!!!! Go and see these guys in concert and if they don’t come your way, just get the record!!

 

My friend and jazz critic / researcher Fernando Ortiz de Urbina gave in Madrid’s jazz record shop Jazz y Mas a very interesting lecture on the Miles Davis album ‘Miles Ahead’, with details on Miles, arranger Gil Evans and producer George Avakian, which overall told the story of a complicated, but extremely successful album production.  Even a Miles Davis fan like me could learn a few new and interesting facts here. Thanks Fernando.

jazzahead 2018

April, time to go to Bremen to network and see some young musicians perform. jazzahead is the global meeting for the jazz industry and as every year has been inspiring and extremely interesting thanks to the presented music. Inspiring because the mood throughout the convention was very upbeat and positive, despite all the problems that have arisen with music delivery going to the streaming world in a rapid tempo, one change the jazz consumer isn’t participating in as fast we would need. Positive, as this situation is seen as a challenge to question old and now dysfunctional models in the industry and to come up with valid answers – a period of transition in many aspects. And a period of great music from all corners of the globe. This year’s country focus was on Poland, a country that historically has a lively and unique jazz scene and still produces amazingly talented musicians today – young pianist and composer Kasia Pietrzko (who didn’t perform at the showcases the country had to offer) being only one very good example.

I missed the Polish night showcases on Thursday night, simply sitting outside the venue talking to other label heads about the state of the business and enjoying a warm spring night, but from the TV recordings, which can be watched at the jazzahead website, the performances by Marcin Wasilewski, Joanna Duda, Monika Borzym and the Atom String Quartet seemed to have gotten great receptions by the international audience. The first act I squeezed in between meetings on Friday was by Swedish singer Emilia Martensson and her band featuring Fulvio Sigurta on trumpet, Luca Boscagin on guitar, Sam Lasserson on bass and Adriano Adewale on percussion. A powerful and in her Swedish roots based jazz singer with a very unique style and a group that perfectly supported her – I need to follow up on her and check the recordings.

Next was new group LASSEN, featuring musicians from Belgium and Norway and performing a straight and highly individual jazz set, reminiscent of early and edgy Jan Garbarek, but still modern and accessible. The group consists of Harald Lassen on sax, Bram de Looze on piano, Stian Anderson on bass and Tore Flatjord on drums and will release their first album soon on Jazzland recordings. Worth checking out.

After that I heard a bit of the concert by Adam Baldych with the Helge Lien Trio – sitting outside to watch the gig on a big screen and enjoying a beer … not bad at all, especially as violinist Baldych and Lien delivered a concert of great music between classical and jazz, with swing and room for explorations.

The last show for me on Friday night was by the Finnish Pauli Lyytinen Magnetia Orkestri, featuring beside Lyytinen on sax the amazing trumpet player Verneri Pohjola, Mika Kallio on drums and Eero Tikkanen on bass. The first thought that came up when listening to their music was: Edvard Vesala! The Magnetia Orkestri has the same playfulness, power and melodic approach as some of Vesala’s music. Fresh and exciting and played on the highest level.

Saturday’s showcases started for me with German sax player Paul Heller, who grouped with Dutch jazz legend and keyboarder Jasper Van’t Hof, Martin Gjakonovski on bass and Bodek Janke on drums to deliver a jazz and fusion show of top quality. After that it was Okeh recording artist Markus Stockhausen, who presented his latest album ‘Far Into The Stars’ live to an enthusiastic audience. His band Quadrivium, with Angelo Comisso on keyboards, Joerg Brinkmann on cello and Christian Tomé on drums, created beautiful sounds and grooves for Stockhausen to lay his enchanting trumpet melodies on top. Live and on record this is special music by a very special composer and performer.

Petros Klampanis, the Greek bassist who lives in New York, and his group performed a wonderful set based on Klampanis’ compositions, which take the listener to melodic excursions between jazz and classical music – dreamlike, accessible and beautiful. And with the immensely talented pianist Kristian Randalu, who recently released his first album on ECM, Bodek Janke on drums and a string section consisting of Olga Holdorff and Sofia Baltatzi on violin, Sara Rilling on viola and Gregor Furhmann on cello, he had the band to perform his music to perfection.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I wanted to see Jazzmeia Horn a bit later, but didn’t make it into the venue, so full was the place – instead I watched the performance on TV and did enjoy her show a lot – she truly is a special talent and her vocal skills and her scatting are very impressive. Looking forward to see her again hopefully soon and on stage instead on a screen. Pianist Gregory Privat really got his audience in his showcase with Chris Jennings on bass and Laurent-Emmanuel Tilo Bertholo on drums. Rhythms from Martinique and a general influence from Caribbean music are informing his very personal style of jazz. A great musical understanding within the trio did help to make this a remarkable set.

On recommendation I went to see the show of the ACA SECA trio, which started 20 past midnight …. but left after 2 songs as the sound in the room was simply unbearably bad and one couldn’t really enjoy the music, which seemed to be really interesting. Pity.

jazzahead is a celebration of jazz, of improvised music in all its forms. It is not an industry event for clapping each other on the shoulder, but an exchange of necessary ideas for changing the way our music is distributed, marketed and brought to a wider audience. Streaming as such is not the real problem – the problem is to get the jazz audience to switch to the new form of listening to music and they will, once the streaming services have improved the way this music (and classical music as well) is presented in a way the consumer wants it to be.